<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Analyse de Film</title>
	<atom:link href="https://www.daylightpeople.com/category/analyse-de-film/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.daylightpeople.com</link>
	<description>Le 1er site pour les acteurs &#38; actrices</description>
	<lastBuildDate>Sun, 31 Mar 2024 08:54:02 +0000</lastBuildDate>
	<language>fr-FR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>
	<item>
		<title>&#8220;Dune&#8221; de Jodorowsky &#124; ARTE Cinema</title>
		<link>https://www.daylightpeople.com/demo/dune-de-jodorowsky-arte-cinema/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Fri, 23 Feb 2024 14:47:04 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<category><![CDATA[Démo & Focus Acting]]></category>
		<category><![CDATA[Interview Réalisateur]]></category>
		<guid isPermaLink="false">https://www.daylightpeople.com/demo/dune-de-jodorowsky-arte-cinema/</guid>

					<description><![CDATA[Avec ses principaux artisans, dont le cinéaste, retour sur l&#8217;adaptation grandiose, mais avortée, du célèbre roman de science-fiction de Frank]]></description>
		
		
		
			</item>
		<item>
		<title>&#8220;Orange mécanique&#8221;, les rouages de la violence &#124; ARTE Cinema</title>
		<link>https://www.daylightpeople.com/demo/orange-mecanique-les-rouages-de-la-violence-arte-cinema/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Wed, 15 Nov 2023 08:31:27 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<category><![CDATA[Démo & Focus Acting]]></category>
		<guid isPermaLink="false">https://www.daylightpeople.com/demo/orange-mecanique-les-rouages-de-la-violence-arte-cinema/</guid>

					<description><![CDATA[Accusé à tort de magnifier la violence dans son roman d&#8217;anticipation choc, adapté au cinéma par Stanley Kubrick,]]></description>
		
		
		
			</item>
		<item>
		<title>Production audiovisuelle, le calme avant la révolution ?</title>
		<link>https://www.daylightpeople.com/actualite/production-audiovisuelle-le-calme-avant-la-revolution/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Mon, 11 Mar 2019 16:06:56 +0000</pubDate>
				<category><![CDATA[Actualité]]></category>
		<category><![CDATA[Analyse de Film]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[production de films]]></category>
		<guid isPermaLink="false">https://www.daylightpeople.com/?p=19105</guid>

					<description><![CDATA[Production audiovisuelle, le calme avant la révolution ? source de cette article : https://alain.le-diberder.com/production-audiovisuelle-le-calme-avant-la-revolution/ L’audiovisuel dans son ensemble]]></description>
		
		
		
			</item>
		<item>
		<title>Les effets spéciaux Marvel avant et après</title>
		<link>https://www.daylightpeople.com/actualite/les-effets-speciaux-marvel-avant-et-apres/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Mon, 06 Aug 2018 14:41:21 +0000</pubDate>
				<category><![CDATA[Acteurs]]></category>
		<category><![CDATA[Actualité]]></category>
		<category><![CDATA[Analyse de Film]]></category>
		<category><![CDATA[effets spéciaux]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[fx]]></category>
		<category><![CDATA[Marvel]]></category>
		<guid isPermaLink="false">https://www.daylightpeople.com/?p=14786</guid>

					<description><![CDATA[Les effets spéciaux Marvel avant et après Grâce aux effets spéciaux, il est aujourd&#8217;hui possible de créer tout et n&#8217;importe]]></description>
		
		
		
			</item>
		<item>
		<title>Hollywood Scores &#038; Soundtracks: What Do They Sound Like? Do They Sound Like Things?? Let&#8217;s Find Out!</title>
		<link>https://www.daylightpeople.com/analyse-de-film/hollywood-scores-soundtracks-what-do-they-sound-like-do-they-sound-like-things-lets-find-out/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Mon, 12 Sep 2016 13:49:34 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/hollywood-scores-soundtracks-what-do-they-sound-like-do-they-sound-like-things-lets-find-out/</guid>

					<description><![CDATA[This is a supplementary video for THE MARVEL SYMPHONIC UNIVERSE, which you can watch here: https://www.youtube.com/watch?v=7vfqkvwW2fs And here’s]]></description>
		
		
		
			</item>
		<item>
		<title>The Marvel Symphonic Universe</title>
		<link>https://www.daylightpeople.com/analyse-de-film/the-marvel-symphonic-universe/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Mon, 12 Sep 2016 13:46:39 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/the-marvel-symphonic-universe/</guid>

					<description><![CDATA[Here&#8217;s a second, supplementary video we made: https://www.youtube.com/watch?v=IEfQ_9DIItI And a new Twitter account about temp music we made:]]></description>
		
		
		
			</item>
		<item>
		<title>How Does an Editor Think and Feel?</title>
		<link>https://www.daylightpeople.com/analyse-de-film/how-does-an-editor-think-and-feel/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Thu, 12 May 2016 15:12:35 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/how-does-an-editor-think-and-feel/</guid>

					<description><![CDATA[For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you]]></description>
		
		
		
			</item>
		<item>
		<title>Joel &#038; Ethan Coen &#8211; Shot &#124; Reverse Shot</title>
		<link>https://www.daylightpeople.com/analyse-de-film/joel-ethan-coen-shot-reverse-shot/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Thu, 25 Feb 2016 15:33:42 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/joel-ethan-coen-shot-reverse-shot/</guid>

					<description><![CDATA[How do you film a conversation? Most likely, you’re going to block the actors, set up the camera,]]></description>
		
		
		
			</item>
		<item>
		<title>Memories of Murder (2003) &#8211; Ensemble Staging</title>
		<link>https://www.daylightpeople.com/analyse-de-film/memories-of-murder-2003-ensemble-staging/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Thu, 31 Dec 2015 02:58:51 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/memories-of-murder-2003-ensemble-staging/</guid>

					<description><![CDATA[How do you emphasize to the audience that something is important? Well, you could always cut to a]]></description>
		
		
		
			</item>
		<item>
		<title>Buster Keaton &#8211; The Art of the Gag</title>
		<link>https://www.daylightpeople.com/analyse-de-film/buster-keaton-the-art-of-the-gag/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Sat, 21 Nov 2015 16:20:09 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/buster-keaton-the-art-of-the-gag/</guid>

					<description><![CDATA[Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of]]></description>
		
		
		
			</item>
		<item>
		<title>Vancouver Never Plays Itself</title>
		<link>https://www.daylightpeople.com/analyse-de-film/vancouver-never-plays-itself/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Sun, 13 Sep 2015 14:37:52 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/vancouver-never-plays-itself/</guid>

					<description><![CDATA[Perhaps no other city has been as thoroughly hidden from modern filmmaking as Vancouver, my hometown. Today, it’s]]></description>
		
		
		
			</item>
		<item>
		<title>Chuck Jones &#8211; The Evolution of an Artist</title>
		<link>https://www.daylightpeople.com/analyse-de-film/chuck-jones-the-evolution-of-an-artist/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Thu, 16 Jul 2015 18:12:18 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/chuck-jones-the-evolution-of-an-artist/</guid>

					<description><![CDATA[If you grew up watching Looney Tunes, then you know Chuck Jones, one of all-time masters of visual]]></description>
		
		
		
			</item>
		<item>
		<title>In Praise of Chairs</title>
		<link>https://www.daylightpeople.com/analyse-de-film/in-praise-of-chairs/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Fri, 29 May 2015 15:46:46 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/in-praise-of-chairs/</guid>

					<description><![CDATA[One of the great things about detailed production design is that it pays off in unexpected ways. So]]></description>
		
		
		
			</item>
		<item>
		<title>Lynne Ramsay &#8211; The Poetry of Details</title>
		<link>https://www.daylightpeople.com/analyse-de-film/lynne-ramsay-the-poetry-of-details/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Thu, 07 May 2015 18:35:24 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/lynne-ramsay-the-poetry-of-details/</guid>

					<description><![CDATA[What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. Today I consider]]></description>
		
		
		
			</item>
		<item>
		<title>F for Fake (1973) &#8211; How to Structure a Video Essay</title>
		<link>https://www.daylightpeople.com/analyse-de-film/f-for-fake-1973-how-to-structure-a-video-essay/</link>
		
		<dc:creator><![CDATA[MrDay]]></dc:creator>
		<pubDate>Tue, 31 Mar 2015 16:13:05 +0000</pubDate>
				<category><![CDATA[Analyse de Film]]></category>
		<guid isPermaLink="false">http://www.daylightpeople.com/analyse-de-film/f-for-fake-1973-how-to-structure-a-video-essay/</guid>

					<description><![CDATA[If you want to make video essays, there’s no better film to study than Orson Welles’ 1973 masterpiece,]]></description>
		
		
		
			</item>
	</channel>
</rss>
